Ruhr Trien­nale
24-25

Ivo Van Hove

I Did It My Way

2025

FRANK SINATRA, NINA SIMONE, IVO VAN HOVE, HENRY HEY, SERGE AIMÉ COULIBALY, LARS EIDINGER, LARISSA SIRAH HERDEN, World premiere

"It is the story of a couple who have been married for years. They have two teenage children. And one morning, in one of the first songs, the woman simply leaves the house. She closes the door with a single word: 'Goodbye'. No explanation, no argument, no conflict, no affair. She leaves because she is no longer happy there. And that was my starting point." – Ivo Van Hove. Frank Sinatra's concept album Watertown tells the story of a separation in an American small town and the end of a small happiness from the man's perspective. In Ivo Van Hove's creation I Did It My Way, the woman has a voice. She speaks through the songs of Nina Simone. Because the reason for the separation is not so much due to personal differences, but to social and political imbalances. The man stays in the shared house and gets lost in the pain of separation. The woman goes out into the big world and faces the political dimensions of her identity and social position as a Black woman. While she learns to navigate her new life, the man lives in the past. The songs of Frank Sinatra and Nina Simone provide insight into the emotional process of the two characters and their relationship, which they gradually fight to regain.
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Conceived and directed by Ivo Van Hove Musical Direction Henry Hey Choreography Choreography Serge Aimé Coulibaly Based on the music of Based on the music of Nina Simone, Frank Sinatra Set Design, Lighting Design Jan Versweyveld Video Design Christopher Ash Costume Design An D’Huys Sound Design Erwin Sterk Dramaturgical Advice Koen Tachelet Associate Set Design Bart Van Merode Associate Light Design Dennis van Scheppingen Associate Sound Design Dennis Slot” “Mit With Lars Eidinger Larissa Sirah Herden Dancers of Faso Danse Théâtre Dancers of Faso Danse Théâtre Ida Faho Sylvie Sanou Marco Labellarte Samuel Planas Band Henry Hey (Piano 1) Christian Frentzen (Piano 2, Keyboard) Volker Kamp (Bass) Tim Dudek (drums) Philip Breidenbach (guitar) Christian Mehler (trumpet, flugelhorn 1) Luzie Micha (Trumpet, flugelhorn 2) Philipp Hayduk (trombone 1) Maxine Troglauer (trombone 2) Marc Doffey (saxophone, flute) Vocal stylist Lucy Woodward Assistant Director Rachel Müller Assistant Costume Design Winnie Janke Stage Managers Lea Feth Mattia Meier Manager Stefanie Hiltl Production Assistant Lara Nikola Roth Technicians Georg Bugiel Harald Adams, Konrad Anger, Remigius Bartnik, Willi Brune, Leon Dohr, Desirée García López, Bruno Grotsch, Tanya Hofmann, Severino Jurischka, Andreas Korogonas, Frank Kostadimas, Torben Krol, Franzi Luhn, Ole Meiß- ner, Gerd Mikuscheit, Len Pichler, Fernando Quartana, Stefan Rausch, Janine Reich, Uwe Renken, Stephan Schneppel, Alma Schraer, Ralph Schwarzenauer, Roman Sroka, Quirjin van der Baan, Stephanie von Porbeck, Dominik Wegmann The set and costumes were produced in the workshops of the Stuttgart State Opera. Produced by Ruhrtriennale. Co-produced by Staatsoper Stuttgart and in partnership with Faso Danse Théâtre. Supported by Ammodo. Funded by Brost Stiftung. With the kind support of the Verein der Freunde und Förderer der Ruhrtriennale e. V.” A production of the Ruhrtriennale in co-production with the Stuttgart State Opera and in partnership with Faso Danse Théâtre. Supported by Ammodo. Funded by the Brost-Stiftung. With the kind support of the Verein der Freunde und Förderer der Ruhrtriennale e. V.” “Künstlerische Produktionsleitung Artistic Production

Oracle

2025

ŁUKASZ TWARKOWSKI, ANKA HERBUT, DAILES THEATRE LATVIA · World premiere

Alan Turing made a significant contribution to ending the Second World War by cracking the Enigma Code. Oracle picks up here and traces the reverberations into a present shaped by AI, shifting realities and the question of what draws us to machines. In nested time levels, Turing appears in snapshots – building machines, remembering his friend Christopher – while in another strand Blake Lemoine, a Google engineer, claims that an AI has developed a consciousness. The first part leads to cracking the code; in the second, the world changes – walls disappear, time distorts, strange figures emerge. In Oracle, history and speculation combine to create a space in which technology and memory meet in unexpected ways.
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MAKE-UP: PIA NORBERG

Direction Łukasz Twarkowski Text, Dramaturgy Text, Dramaturgy Anka Herbut Stage design, concept lighting design & Set Design Stage Design, Set Design & Lighting Design Concept Fabien Lédé Costumes Svenja Gassen Video design, digital media Video Design, Digital Media Jakub Lech Composition Compostion Julek Ploski Choreography and artistic collaboration Choreography and Artistic Collaboration Pawel Sakowicz Lighting Design Eugenijus Sabaliauskas Assistant Director Assistant Director Diāna Kaijaka Assistant Dramaturg Assistant Dramaturg Loreta Kalniņa Video Assistant Video Assistant Ričard Žigis Actors Juris Bartkevičs Kaspars Dumburs Klāvs Kristaps Košins Mārtiņš Meiers Katarzyna Osipuk Rytis Saladžius Nelė Savičenko Artūrs Skrastiņš Ilze Ķuzule-Skrastiņa Vita Vārpiņa Madara Viļčuka Xiaochen Wang Production Production Vidas Bizunevičius (New Error), Liga Svempe (Dailes Theatre Latvia) Technical Project Management Technical Project Manager Mārtiņš Vigups (Dailes Theatre Latvia) Team Ruhrtriennale Artistic Production Management Artistic Production Managers Charlotte Wulff Laura Becker Technicians Darko Šošić Christian Benz Anne Gollasch Adam Petrenko Costumes Dressing Sabine Höhfeld Marion Felix-Groll Eva Gamble Hair & Make-up Pia Norberg Manuela Heukamp Alexandra Schramm Melanie Schulte-Holtey Renate Wellershausen A production by Dailes Theatre Latvia and Ruhrtriennale in co-production with New Error, Comédie de Genève, Piccolo Teatro di Milano-Teatro d’Europa, De Singel Antwerp, Adam Mickiewicz Institute. LMT is Dailes Theatre Latvia’s Innovation Partner.

Guernica Guernica

2025

FC BERGMAN, TONEELHUIS ANTWERPEN · World premiere

Guernica re interpreted: About art, war and watching The FC Bergman members Stef Aerts, Marie Vinck and Thomas Verstraeten reflect on their play inspired by Pablo Picasso's Guernica. They examine how artists can react to war and consider the changing roles of perpetrators and victims, as well as the uneasy gaze of those who watch
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MAKE-UP: PIA NORBERG

“By and with Stef Aerts Joé Agemans Thomas Verstraeten Marie Vinck Dramaturgy Dramaturgy Koen Tachelet Costume Design An D’Huys Lighting Design Bart Van Merode Sound Design Sound Design Maarten Van Cauwenberghe With 80 Extras Adel Yazbek, André De Budt, Annelies Raes, Arthur Decock, Bie Van Pottelberghe, Cara Vissers, Cédric Vanvaerenbergh, Diede Van Lancker, Ellis Slivnojs, Emiel Callies, Emiliano Lopez Hartmann, Enrico Guiguilé, Eric Lambrechts, Erwin Loos, Frank Allaerts, Geert Goos- sens, Guido Totté, Guy Goedseels, Irnes Hajdarevic, Jef Baetens, Johan Costermans, Leonie Maes, Lori Stas, Lucien Winkeler, Lynn Brouwers, Meghan Maboh, Miguel Beretta, Mol Mertens, Nikolaas Van Impe, Noor Rouwens, Olivier De Jonghe, Patrick Vermeulen, Paul Grégoire, Rita Buellens, Roos Kemani, Rosalie Winkeler, Rozerin Gumus, Samuele Lopez Hartmann, Sarah Opdenacker, Sebastiaan Winkeler, Shana Van Looveren, Sien Cuvelier, Sofia Bouzid, Sofie Mora, Steph Daubersy, Steph Van Iersel, Stijn Cornelis, Stijn Del Favero, Susan De Ceuster, Tom Magnus, Tomas Van Balen, Umit Kamali, Ursula Pauwels, Vincent Vandevyvere, Xadi Meeusen, Zaheer Hawseea” “Choir Director Peter Spaepen Choir Choir An Vandevelde, Bart Onsia, Chris Renson, Donald Cardon, Eline Vereecke, Elya Degryse, Femke Die- ryck, Frederieke Duchateau, Greet Callaerts, Herlinde Hiele, Isabelle Van Asbroeck, Jan Deltour, Joachim Put, Kris Vanhoeck, Kristin Neutjens, Lieve De Min, Lot Lemmens, Louky van Eijkelenburg, Luc Wynants, Manuel von Rahden, Merel Van Mol, Mia Coulier, Miek Rijsbosch, Ruth Flikschuh, Sarah Vandendriessche, Simon Horsten, Sofia Vleeshouwers, Stefan Lopez Hartmann, Ulli De Leener, Walter Werquin, Wouter Lelong, Yelter Bollen Team Guernica Guernica Production Management Sharon Lavaert Production Assistant Katinka De Belder Emma Van Avermaet Technical Production Managament Diederik Suykens Technicians Set Friedemann Koch Ward Van den Bossche Technician Lighting Lies Van Loock Technician Sound Roel Snellebrand Technician Video Paul Van Caudenberg” “Leitung Maske Director Hair & Make-up Carolien Wardenier Props Caroline Verbrugghe, Saskia Martindale, Eric De Wulf Internship Julia Groenland, Emilio Pramatarov, Emil Leysen, Wytse Algra Realisation Costumes – Costume Workshop Toneelhuis Realisation Costumes – Toneelhuis costume Workshop: Kathleen van Mechelen, Monique van Hassel, Esther Reijnen, Tanya Maldonado, Julie Stoops (Internship Intern), Amélie d’Hondt (Internship Intern), Caroline Verbrugghe, Elena Delie Team Ruhrtriennale Assistant Artistic Production Manager Anna Sophie Hutter Technicians Ole Meißner, Klaus Hammer Harald Adams, Konrad Anger, Steven Böhm, Leon Dohr, Desirée García López, Tanya Hofmann, Severino Jurischka, Andreas Korogonas, Frank Kostadimas, Torben Krol, Daniel Lein, Franzi Luhn, Gerd Mikuscheit, Benjamin Parr, Len Pichler, Fernando Quartana, Janine Reich, Uwe Renken, Stephan Schneppel, Alma Schraer, Ralph Schwarzenauer, Dominik Wegmann, Jakob Wundrack, Jonas Wüstefeld Costumes Dressing Daniela Bermudez, Sabine Höhfeld, Ute Carow, Paula de la Haye, Sinja Höcker, Emma Lou Paleit, Heike Schick, Camille Schwarz, Luise Stein- mann, Emelyn Yabar Tito” “Hair & Make-up Pia Norberg, Celine Barz, Mathilda Egels, Katharina Groß, Manuela Heukamp, Annette Jasper, Heike Kehrwisch, Kathi Kullack, Madeleine Kurtz, Kathrin Pavlas, Rebecca Rühle, Alexandra Schramm, Melanie Schulte- Holtey, Renate Wellershausen” “Partners and public supporters” “A production by FC Bergman and Toneelhuis in co-production with the Ruhrtriennale, Les Théâtres de la Ville de Luxembourg. With the support of de Tax Shelter maatregel v/d Belgische federale overheid via Gallop Tax Shelter. Further supporters: Private producer Dirk Raes and BRODER. Produced by FC Bergman und Toneelhuis in co-production with Ruhrtriennale, Les Théâtres de la Ville de Luxembourg. With the support of de Tax Shelter maatregel v/d Belgische federale overheid via Gallop Tax Shelter. Further supporters: Private producer Dirk Raes and BRODER.”

GenZ Don’t Cry

2025

SOUNDDRAMATURGIEN-KOLLEKTIV, WOLFGANG MENARDI, MEHDI MORADPOUR, GÎN BALI, JULIA NUSSBAUMER · World premiere

In a place called the future, Cassandra sits somewhere between command center and remnants of a civilization. A 'Lost Place' in the midst of souvenir photos, objects from the past – a time that once was. The silent guardian of the machines looks outside. Scattered everywhere, barely visible in the dense fog, lie rubble, garbage and overgrown remains. New life blossoms from them, new colors. There is something abandoned about this place, there is no normality here, not anymore. Cassandra, mocked as insane because her visions and perception of reality are of no use to people, mourns. She mourns in an endless loop of the past and longings for Yashar, whom she once knew. Cassandra's memories and visions of the future merge and awaken the attention of nine young people who are part of this world. Cassandra's grief for Yashar triggers the group's anger. They find their voice, rebel against the state of the world, accuse. They mourn a future they will never have. Do they cry? They cry. They cry! And find themselves somewhere between collective resentment and the hope for change in a world that has come off the rails. They defend their dreams – the last property they have left. Nothing is over, pragmatism pushes forward. Space and time begin anew.
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MAKE-UP: PIA NORBERG

3D Sound Concept and Direction 3D Sound Concept and Direction Sounddramaturgien-Kollektiv: Dominik Breinlinger Julian Kämper Felix Kruis Author and Dramaturgical Consultant Author and Dramaturgical Consultant Mehdi Moradpour Stage, Light Design and Co-Regie Stage, Light Design and Co-Director Wolfgang Menardi Composition, Music Composition, Music Gîn Bali Costume Design Costume Design Julia Nussbaumer Assistant Director Assistant Director Helena Jackson Stage Management Stage Management Jens Fischer Pedagogical Support and Facilitation Pedagogical Support and Facilitation Ulrike Czermak Britta Schünemann Choir Choir Jwanzeen Al-Sello Efrahim Bakir Ikram El Kasmi El Meftah Nicolas Lochthowe Schlo Meurer Flynn Ohland Eva Seli Luca Sommer Julian Sonntag Acting Mira Fajfer Artistic Production Manager Artistic Production Manager Johanna Freytag Technicians Frank Böhle Sascha Brandt Carsten Funke Jan Kunz Franzi Luhn Benjamin Reich Andreas Semmler Christoph Stenftenagel Stephanie von Porbeck Costume Assistance Costume Assistance Ines Koehler-Klünenberg Costumes Dressing Chantal Baumann Marion Felix-Groll Hair & Make-up Pia Norberg Rebecca Rühle A production of the Ruhrtriennale. In collaboration with the Schülerstipendienprogramm RuhrTalente. Produced by Ruhrtriennale. In collaboration with the RuhrTalente student scholarship programme. Turbinenhalle at the Jahrhunderthalle Bochum Junge Triennale

LEGEND

2024

SERGEY PARADJANOV, KIRILL SEREBRENNIKOV, THALIA THEATER, TRINITY CATHEDRAL CHOIR (GEORGIA), KIRILL & FRIENDS COMPANY

LEGEND tells of the world of the film director Sergey Paradjanov, who is as famous as he is virtually unknown in the West. His works, cited by Lady Gaga, among others, are of a fascinating artistic variety. In his films, he brings narratives and legends of various origins to new life. LEGEND is not another biography of an important artist. Serebrennikov's text works with Paradjanov's visual language and shows his world as a projection surface for our longings. Their poetic interweaving speaks of worlds of colors and images and of the struggle for the uniqueness of people and different cultures. They are eternal stories of freedom and the fight for it, of beauty and of the victory of life over death.
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MAKE-UP: PIA NORBERG

Premiere: August 16, 2024, Kraftzentrale Duisburg
Production: Ruhrtriennale 2024 Artistic Team Director & Concept: Kirill Serebrennikov
Stage: Alexey Tregubov
Costumes: Tatyana Dolmatovskaya
Music & Sound Design: Daniil Orlov
Video: Andrey Yermoshin
Lighting: Christian Pöppel
Dramaturgy: Olga Fedyanina
Production Management: Ruhrtriennale / Maxim Didenko Studio Cast Performers: Polina Agureeva Alexander Gorchilin Daria Avratinskaya Evgeny Kulagin Katerina Vlasova Viktor Khristenko Oleg Garkusha Tanya Shcheglova Musicians (Live): Daniil Orlov (Director, Synthesizer) Anna Makarova (Violin) Ivan Petrov (Cello) Sergey Kuznetsov (Percussion, Electronics) Production A production of the Ruhrtriennale 2024
in co-production with the Centre Pompidou-Metz
and the Kirill Serebrennikov Studio. With the kind support of the Kunststiftung NRW
and the RUHR.2010 Festival GmbH.

I Want Absolute Beauty

2024

PJ HARVEY, IVO VAN HOVE, (LA)HORDE, SANDRA HÜLLER · World premiere

A woman. Her path. Her decisions. Sandra Hüller (Oscar nomination for Anatomy of a Fall) sings and plays the leading role and embarks on a journey through extreme emotional and mental landscapes. She is accompanied by the dance-revolutionary artist trio (LA)HORDE, Marine Brutti, Jonathan Debrouwer and Arthur Harel and his dancers, who also co-choreographed Madonna's Celebration tour. We follow the protagonist's attempts to realize herself and transcend social roles and expectations. In every encounter, every relationship, every city, she reinvents herself. With I Want Absolute Beauty, Ivo Van Hove opens the Ruhrtriennale 2024. This haunting music theater production shows how to overcome obstacles, grow from them, and finally accept that you can only take life as it comes. And that it can feel really good!
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MAKE-UP: PIA NORBERG

Music theater with songs by the legendary singer and songwriter PJ Harvey. A production of the Ruhrtriennale in partnership with the Artistic Direction of Ballet National de Marseille (LA)HORDE. Supported by Ammodo.

Evening Magic

2024

Evening Magic

"Who could ever forget the blissful place!" Bruckner saw nature, in the spirit of Romanticism, as a pure spiritual source of renewal. It was a way out of the fumes of the growing industrial centers. But what does the state of nature say about people in the age of radical climate change and natural disasters? Will the next generations remember this delightful place that nature once was? Abendzauber is an immersive installation in the Mischanlage Essen. Director Krystian Lada and Chorwerk Ruhr bring together two different styles of music to explore the pressing questions of our time. How does human influence affect nature? The rarely performed secular choral works of Anton Bruckner are combined with songs by Björk. The Icelandic artist effortlessly manages to combine avant-garde and pop music elements. Caroline Shaw and Marc Schmolling have arranged Björk's songs especially for Chorwerk Ruhr. A production of Ruhrtriennale and Chorwerk Ruhr. With the kind support of the Friends and Sponsors of the Ruhrtriennale e. V.
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MAKE-UP: PIA NORBERG

Composition Björk, Anton Bruckner, David Longstreth Conducting Alexander Lüken Sebastian Breuing Concept, Direction, Design Concept, Direction, Design Krystian Lada Light Design Aleksandr Prowaliński Choreography Choreography Dominika Knapik Sound Design Thomas Wegner Co-Costümbild Nicola Gördes Co-Light Design Sebastian Klim Caspars Dominik Więcek (solo) Ying Yun Chen Jolinus Pape Survivors Patrycja Kowańska (solo) Mohamed Ben Salah (solo) Ana Isabel Vieira Carvalho Christiane Schröder Fiammetta Ruggiero Kai Griebel Leonard A. Cruz Samantha Shay Susanne Hille CHORWERK RUHR Kompositionen von Björk and David Longstreth Arrangements Caroline Shaw, Marc Schmolling Soprano Sophia Desirée Bauer, Anna Feith, Katharina Großmann, Katja Kunze, Anja Scherg, Natasha Schnur Alto Katharina Guglhör, Laura Kießkalt, Luisa Kruppa, Andra Isabel Prins, Jennifer Reineke, Hanna Schäfer Kompositionen von Anton Bruckner Tenor Patrick Brandt, Florian Feth, Clemens Liese, Laurin Oppermann, Florian Schmitt, Fabian Strotmann Bass Andrey Akhmetov, Tobias Müller- Krupp, Julian Popken, Georg Preißler, Thomas Stenzel, Christian Walter Produced by Ruhrtriennale and Chorwerk Ruhr. With the kind support of Freunde und Förderer der Ruhrtriennale e. V. Assistant Director Ivana Aeschbacher Stage Management Jens Fischer Sonja Vallot (Assistenz Assistant) Artistic Production Manager Artistic Production Management Marie Thiele Nastasia Herzog (Assistenz Assistant) Technicians Niels Lanz Melanie Bluhm, Dirk Heymann, Tanya Hofmann, Julian Jäger, Klara Kron, Jan Kunz, Imke Linde, Anke Lindner, Cap-Anamur Hai-Au Nguyen, Adam Petrenko, Len Pichler, Barbara Li Sanli, Fanny Schmidt, Jonas Wüstefeld Costumes Dressing Chantal Baumann Asena Yesim Lappas Maske Hair & Make-Up Annette Jasper Melanie Schulte-Holtey Eine Produktion von Ruhrtriennale und Chorwerk Ruhr. Mit freundlicher Unterstützung der Freunde und Förderer der Ruhrtriennale e. V.

D·I·E

WHAT IS “D • I • E” ABOUT? ABOUT A WOMAN? ABOUT DYING? ABOUT GRAMMAR? ABOUT LINES, POINTS, AND CHARACTERS? ALL ANSWERS ARE CORRECT - AND ALL QUESTIONS ARE OBSOLETE.
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MAKE-UP: PIA NORBERG

  • A production of the Ruhrtriennale.
  • Musical Direction Titus Engel
  • Director Anika Rutkofsky
  • Holographic Music Visualization Thomas Stammer
  • Costumes Uta Gruber-Ballehr
  • Creative Coding Daniel Dalfovo
  • 3D Animation Tim Markgraf
  • Sound Design, Electronics Thomas Wegner
  • Lighting Dietrich Körner
  • Dramaturgy Johanna Danhauser, Barbara Eckle
  • Soprano Caroline Melzer, Sarah Pagin
  • Mezzo-soprano Christina Daletska
  • Conferencière Sylvie Rohrer
  • Vocals Catnapp
  • Mask: Pia Norberg

BÄHLAMMS FEST

IN A FANTASTICALLY SURREAL ORGY AT THE CHRISTMAS FEAST, THE BOUNDARIES BETWEEN PRESENT AND PAST, LIVING AND DEAD, HUMAN AND ANIMAL, DESIRE AND REALITY BLUR.
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MAKE-UP: PIA NORBERG

  • A production of the Ruhrtriennale.
  • Conductor SYLVAIN CAMBRELING
  • Cast Theodora KATRIEN BAERTS Mrs Carnis HILARY SUMMERS Philip DIETRICH HENSCHEL Jeremy ANDREW WATTS Robert / Shepherd / Ram MARCEL BEEKMAN Elizabeth GLORIA REHM Violet / Mary LINSEY COPPENS With soloists from BOYS’ CHOIR OF THE CHORAKADEMIE DORTMUND
  • ENSEMBLE MODERN Theremin Vox LYDIA KAVINA
  • Dancers PIERFRANCESCO VICINANZA, YEN-CHU KU, NOEMI DE ROSA, YA-CHIN HUANG, MINJU KIM, JIHEE KIM, YI-AN CHEN, SARA KOLUCHOVA, JAN CHRIS POLLERT, SEVAK AVAGYAN
  • Live-Electronics Performance JOSÉ MIGUEL FERNANDEZ
  • Live-Electronics Design MARKUS NOISTERNIG, MANUEL POLETTI (MUSIC UNIT, PARIS)
  • Sound Design NORBERT OMMER
  • Stage and Costume Design NINA WETZEL
  • Video Design JACK PHELAN
  • Light Design PATRICK FUCHS
  • Co-Stage Design CHARLOTTE SPICHALSKY
  • Co-Costume Design ANNEKE GOERTZ
  • Co-Video Design SÉBASTIEN DUPOUEY
  • Choreographer ANNA-LISE BRÉVERS
  • Assistant Choreographer OLIVIA ANCONA
  • Assistant Director ANDREA TORTOSA
  • Direction BUSH MOUKARZEL, BEN KIDD
  • Mask: Pia Norberg

The fall of the House of Usher

As a renowned expert on nocturnal plants and homeless creatures of captivated fears, Barbara Frey, at the opening of her tenure as artistic director, delves into the thought cosmos of Edgar Allan Poe together with an eight-member, multilingual ensemble.
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MAKE-UP: PIA NORBERG

  • A production of the Ruhrtriennale.
  • Author Edgar Allan Poe
  • Music Barbara Frey, Josh Sneesby
  • Stage Martin Zehetgruber
  • Stage Assistance Stephanie Wagner
  • Costumes Esther Geremus
  • Lighting Rainer Küng
  • Dramaturgy Andreas Karlaganis
  • Mask: Pia Norberg
  • With Jan Bülow Tommy Hojsa Debbie Korley Annamária Láng Katharina Lorenz Michael Maertens Markus Scheumann Josh Sneesby Soloists of the Ruhrkohle Choir

Concept

I work closely with directors, costume designers, producers and actors/singers/dancers to conceptualize and define the desired look for each character.

My team and I need to be able to apply different make-up and hair techniques on this basis to achieve the desired look.

Organization

I am responsible for the budget and personnel management of the make-up team.

I ensure that resources and budgets are used effectively and monitor the quality and working hours of the team.

I also ensure compliance with the safety and hygiene regulations for the use of make-up artist products.

Personnel

Make-up artists and actors have to harmonize well with each other personally. The right composition of the team inspires the preparation and application of make-up and hair.

MASK DESIGN

From the artistic concept to the final realization, I create masks and mask parts that are perfectly tailored to the respective requirements.

Hair & make-up

I design and realize make-up and hairstyles that emphasize the personality and features of the character and have the best possible effect, especially on stage.

Wig Design

I design and create perfectly coordinated wigs and hairpieces using my extensive knowledge of styles and styles.

When productions become images – behind the scenes of the Ruhrtriennale

Background information on the 2024-2025 season

Ivo van Hove has been the artistic director of the Ruhrtriennale since November 1, 2023 and is responsible for the festival cycle from 2024 to 2026. With the motto “Longing for Tomorrow,” he focuses on a world in transition and asks questions about identity, violence, war and hope. It is a central concern for him that the artistic examination does not remain in dystopia, but always conveys hope. In his programmatic orientation, van Hove emphasizes the importance of connectedness in a time of increasing tensions and sees the theater as a medium to make social change tangible. Especially in the field of music theater, he strives for a new form in which music is not only an accompanying element, but a narrative core. With around 140 events at venues in Bochum, Essen and Duisburg, the Ruhrtriennale 2024 was successfully implemented as the prelude to his directorship. Van Hove himself describes the concept of understanding the festival more strongly as a community event as a complete success. His artistic signature combines a clear substantive attitude with an openness to hybrid forms of theater, dance, music theater and installation – always with the aim of revitalizing the traditional venues of the Ruhr region and using them in a meaningful way.