I work closely with directors, costume designers, producers and actors/singers/dancers to conceptualize and define the desired look for each character.
My team and I need to be able to apply different make-up and hair techniques on this basis to achieve the desired look.
I am responsible for the budget and personnel management of the make-up team.
I ensure that resources and budgets are used effectively and monitor the quality and working hours of the team.
I also ensure compliance with the safety and hygiene regulations for the use of make-up artist products.
Make-up artists and actors have to harmonize well with each other personally. The right composition of the team inspires the preparation and application of make-up and hair.
From the artistic concept to the final realization, I create masks and mask parts that are perfectly tailored to the respective requirements.
I design and realize make-up and hairstyles that emphasize the personality and features of the character and have the best possible effect, especially on stage.
I design and create perfectly coordinated wigs and hairpieces using my extensive knowledge of styles and styles.
For over ten years I have been in charge of the make-up at the Karl May Plays at Kalkberg in Bad Segeberg – one of the largest and most traditional open-air productions in Germany.
My passion for live entertainment and open-air theater is combined here with the special challenges of make-up design: make-up and wigs that not only shape characters believably, but also hold up over 75 performances – in sun, rain, dust and in the midst of intense action on stage.
Over the years, I have developed a versatile repertoire of techniques and looks – from the iconic Winnetou braid to weatherproof desert dust make-up, dramatic scars and historical beard creations. Whether hero, villain or tribal leader, my aim is always to give each character a distinctive, expressive look that supports the story and captivates the audience.
I work closely with the director, costume department and technical team to create a visual unity that gets to the heart of the artistic vision of the production. At the same time, I pay attention to comfort, safety and the highest standards of hygiene – because only if the performers feel comfortable can they give their best on stage.
I know the special processes, requirements and dynamics of the Karl May plays inside out. My experience and organizational skills make me a reliable contact for everything to do with make-up – from the start of rehearsals to the last performance.
And even after more than a decade, I still believe that standing still is not an option. I regularly continue my education, observe trends, test new products and integrate modern techniques to constantly improve the quality and impact of my work – for lively, credible figures and an enthusiastic audience.
