I work closely with directors, costume designers, producers, and actors/singers/dancers to conceptualize and define the desired look for each character.
Based on this, my team and I must be able to apply various makeup and hair techniques to achieve the desired look.
I handle the budget and personnel management of the makeup artist team.
In doing so, I ensure that resources and budget are used effectively and I monitor the team’s quality and working hours.
Additionally, I ensure compliance with safety regulations and hygiene standards for the use of makeup products.
Makeup artists and performers must have good personal chemistry. The right team composition enhances the preparation and application of makeup and hair.
From the artistic concept to the final implementation, I create masks and prosthetic pieces, perfectly tailored to the respective requirements.
I design and create makeup and hairstyle designs that emphasize the character’s personality and features and achieve the best possible effect, especially on stage.
With extensive knowledge of styles and implementation methods, I design and create perfectly matched wigs and hairpieces.
For over ten years, I have been leading the make-up department at the Karl May Plays at Kalkberg in Bad Segeberg – one of Germany’s largest and most traditional open-air productions.
My passion for live entertainment and open-air theater combines here with the unique challenges of make-up artistry: make-up and wigs that not only credibly shape characters but also endure for over 75 performances – through sun, rain, dust, and amidst intense stage action.
Over the years, I have developed a versatile repertoire of techniques and looks – from the iconic Winnetou braid to weatherproof desert dust make-up, dramatic scars, and historical beard creations. Whether hero, villain, or tribal leader – my goal is always to give each character a distinctive, expressive appearance that supports the story and captivates the audience.
In doing so, I work closely with direction, the costume department, and technical staff to create a visual unity that perfectly conveys the artistic vision of the production. At the same time, I pay attention to comfort, safety, and the highest hygienic standards – because only when performers feel comfortable can they give their best on stage.
I know the specific processes, requirements, and dynamics of the Karl May Plays inside out. My experience and organizational talent make me a reliable point of contact for all make-up related matters – from the start of rehearsals to the final performance.
Even after more than a decade, for me, stagnation is not an option. I regularly pursue further training, observe trends, test new products, and integrate modern techniques to continuously improve the quality and impact of my work – for vibrant, credible characters and an enthusiastic audience.
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