Ruhr Triennale
09-11

Willy Decker

Under ice

2014

Plant

“Paul Nobody, too old for a new beginning, too young to give up already, in a few years it will all be over.” Under Ice, Scene 1 Paul Nobody and his colleagues are consultants. They speak the specific language of the consultants, they fire people, they promise solutions for every problem and guarantee a smooth process.
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  • Premiere
  • Director: FALK RICHTER
  • Musical director: JOHANNES DEBUS
  • Stage: ALEX HARB
  • Costumes: Tina Kloempken
  • Light: Carsten Sander
  • Video: Meika Dresenkamp
  • Dramaturgy: Thomas Fiedler

Tristan and Isolde

2011

Plant

»I am getting more and more incomprehensible how I could have done something like that! "Here I have exceeded everything that lies within the realm of possibilities," Richard Wagner states after completing his opus metaphysicum in 1859. Indeed, his adaptation of the ancient Celtic saga deals exclusively and radically with love and death. From the very first moment, the love of Tristan and Isolde is death-seeking, celebrating the absence of life and world as a prerequisite for happiness in their night of love: "Grant me oblivion that I might live ... release me from the world."
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MAKEUP: PIA NORBERG Photos: Arno Declair

  • Premiere 2011
  • An in-house production of the Ruhrtriennale.
  • MUSICAL DIRECTION Kirill Petrenko
  • DIRECTED BY Willy Decker
  • STAGE Wolfgang Gussmann
  • COSTUMES Wolfgang Gussmann, Susana Mendoza
  • VIDEO bold film
  • PHOTO Paul Declaire

MOSES AND ARON

2011

Plant

“What could a god be to us whom we understand, of whom we can make an image, whom we can influence? We are an old people. Not everyone can yet fully grasp our concept of God; to accept that all events depend on a supreme being whose laws we feel and recognize, but whose meaning we must not question.” / Arnold Schönberg
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MAKEUP: PIA NORBERG Photos: Arno Declair

  • Premiere 2009
  • An in-house production of the Ruhrtriennale.
  • DIRECTED BY Willy Decker
  • STAGE DESIGNER Wolfgang Gussmann
  • COSTUMES Wolfgang Gussmann, Susana Mendoza
  • VIDEO Johannes Grebert
  • MIT Finnur Bjarnason, Andreas Conrad, Dale Duesing, Ilse Eerens, Martin Gerke, Boris Grappe, Karolina Gumos, Constance Heller, Hanna Herfurtner, Renatus Mészár, Dong-Won Seo, Michael Smallwood
  • PLAYGROUND Century Hall Bochum

Leila and Majnun

2011

Plant

“Love between two is not perfect as long as one, when speaking of the other, says:” I “...” / Sufi wisdom “When I say” I “, I don't mean myself as you see me, but the love that speaks through me.” / Layla and Majnun, Albert Ostermaier Layla and Majnun, the most famous couple in Islamic culture, tells of a love of deepest spirituality. The Persian poet Nizami wrote her story in 1188 and thus created a timeless love epic.
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MAKEUP: PIA NORBERG Photos: Arno Declair

  • Premiere 2010
  • An in-house production of the Ruhrtriennale.
  • BY Samir Odeh-Tamimi, Albert Ostermaier
  • MUSICAL DIRECTOR Peter Rundel
  • DIRECTED BY Willy Decker
  • STAGE Wolfgang Gussmann
  • COSTUMES Wolfgang Gussmann, Susana Mendoza
  • WITH Nils Cooper, Irene Kugler, Hagen Matzeit, Aleksandar Radenković, Daniel Rohr, Nadine Schwitter, Michael Prelle
  • PLAYGROUND Century Hall Bochum

Gisela!

2011

An old work as a new creation for the youth and with the youth. A bridge between Italy, the land of longing, to which we owe opera culture, and the Ruhr area, which is decried as gray and uncomfortable, but has long since developed into an exciting cultural center. With his latest music theater work Gisela! or: The Remarkable and Memorable Paths of Happiness, Hans Werner Henze attempts to connect extreme poles and enable seemingly impossible combinations.
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MAKEUP: PIA NORBERG Photos: Arno Declair

  • Premiere 2010
  • An in-house production of the Ruhrtriennale
  • BY Hans Werner Henze, Michael Kerstan, Christian Lehnert
  • MUSICAL DIRECTION Steven Sloane
  • DIRECTED BY Pierre Audi
  • STAGE AND COSTUMES Christof Hetzer
  • ENSEMBLE Studio musikFabrik – youth ensemble of the State Music Council of North Rhine-Westphalia
  • CHOR Youth chamber choir of the Dortmund Choir Academy
  • MIT Michael Dahmen, Hanna Herfurtner, Fausto Reinhart, students at Folkwang University (courses in drama and dance)
  • PLAYGROUND Machine hall, Zweckel colliery, Gladbeck

The broken jar

2011

Plant

The comedy about the village judge Adam, who in the unsuccessful attempt to seduce the maid Eve is forced to become a judge of himself, is also the story of the broken law.
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MAKEUP: PIA NORBERG Photos: Arno Declair

  • Premiere 2009
  • An in-house production of the Ruhrtriennale
  • DIRECTOR Andrea Breth
  • STAGE Annette Murschetz
  • COSTUMES Françoise Clavel
  • MUSIC Christian Muthspiel
  • LIGHT Alexander Koppelmann
  • PLAYGROUND Salt store, Zollverein coking plant, Essen

Concept

I work closely with directors, costume designers, producers and actors/singers/dancers to conceptualize and define the desired look for each character.

My team and I need to be able to apply different make-up and hair techniques on this basis to achieve the desired look.

Organization

I am responsible for the budget and personnel management of the make-up team.

I ensure that resources and budgets are used effectively and monitor the quality and working hours of the team.

I also ensure compliance with the safety and hygiene regulations for the use of make-up artist products.

Personnel

Make-up artists and actors have to harmonize well with each other personally. The right composition of the team inspires the preparation and application of make-up and hair.

MASK DESIGN

From the artistic concept to the final realization, I create masks and mask parts that are perfectly tailored to the respective requirements.

Hair & make-up

I design and realize make-up and hairstyles that emphasize the personality and features of the character and have the best possible effect, especially on stage.

Wig Design

I design and create perfectly coordinated wigs and hairpieces using my extensive knowledge of styles and styles.

Behind the scenes of the Ruhr Triennale

Background Information on the 2009-2011 Season

The Ruhr Triennale follows its commitment to continuous renewal by choosing music theater director Willy Decker as the third artistic director from 2009-2011.

The self-professed Buddhist is the first festival director to also present his own productions. As if handwritten, the word Primal Moments and a logo painted as if by a Zen master appear at the Ruhr Triennale. Decker prefaces each of the three years with a word: Departure – Journey – Arrival. Departure reflects on Judaism, the Journey on Islam, and Arrival on Buddhism.

In the spirituality-accompanied years 2009-2011, much appears distant and unfamiliar: dervishes, rituals and ceremonies, the mysticism of the Sufis. Willy Decker succeeds in the departure at the start of the 2009 festival with his production of Arnold Schönberg’s Moses and Aaron in the Jahrhunderthalle Bochum, featuring Chorwerk Ruhr and the Bochum Symphony Orchestra. The story of suffering of the Jew Job based on Josef Roth is certainly one of director Johan Simons’ most beautiful productions.

In Third Generation, ten young performers from Germany, Israel, and Palestine address their origins. Yael Ronen directs them sparingly and directly. Jordi Savall creates a special concert for the Ruhr Triennale with Jewish and Palestinian musicians and texts about the dramatic history of a unique city: Jerusalem. The City of Two Peaces. In the Maschinenhalle Zweckel Gladbeck, Sing for Me, Death – a ritual for the composer Claude Vivier can be experienced. Vivier’s life and work revolved around loneliness, fear, and the search for love. A fictitious land in the far distance, far from any time – that is Autland.

In this music theater piece, Johannes Ockeghem’s canon for 36 voices from the 15th century meets contemporary music by Sergei Newski. From order to chaos to sensory overload.

Source: RUHRTRIENNALE